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TXT's First "Music Core" Win — Why the 4th Trophy Hits Different
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TXT's First "Music Core" Win — Why the 4th Trophy Hits Different

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TXT won their first-ever MBC Music Core trophy with "Stick With You," scoring 8,308 points. Their 4th music show win of the cycle — and what it signals for K-pop's mid-career artist landscape.

Seven years in, and there was still one door TXT hadn't opened — until now.

On the April 25 episode of MBC's Music Core, TOMORROW X TOGETHER (TXT) claimed their first-ever win on the show with "Stick With You," totaling 8,308 points. The competing nominees were AKMU with "Joy, Sorrow, A Beautiful Heart" and PLAVE with "Born Savage." TXT won across the board.

This is their fourth music show win for "Stick With You" this promotional cycle — but for fans and industry watchers alike, this particular trophy carries a weight the previous three didn't.

What "Music Core" Means in the K-Pop Ecosystem

Korea's four major weekly music shows — Inkigayo, Music Bank, M Countdown, and Music Core — function as the primary scorecards of a song's domestic performance. Winning all four during a career is an informal milestone that K-pop fandoms treat with near-religious significance. TXT had already claimed victories on the other three. Music Core was the last piece.

With this win, TXT joins the list of artists who have taken first place on every major Korean music broadcast. That's not just a fan achievement — it's a data point that labels, streaming platforms, and brand partners pay attention to.

The scoring system behind these wins combines digital streaming figures, physical album sales, broadcast points, and viewer votes. An 8,308-point total, secured against AKMU — a critically acclaimed sibling duo with a loyal streaming base — and PLAVE — a virtual idol group rapidly building one of K-pop's most engaged newer fandoms — signals that TXT's performance isn't propped up by fan voting alone. Multiple metrics are firing at once.

The Competition That Makes This Win Read Clearly

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The field matters. AKMU consistently outperforms on pure streaming charts, the kind of organic listener base that's harder to manufacture than album sales. PLAVE represents a genuinely new category in K-pop — AI-rendered virtual avatars with human creative input — and their fandom, CFIT, has demonstrated the kind of organized voting power that's toppled established acts before.

Beating both on a combined scoring system, in the same week, is the kind of result that doesn't happen by accident. It suggests "Stick With You" has crossover appeal beyond TXT's core fanbase MOA.

Also performing on the same broadcast: LE SSERAFIM, NCT WISH, and CORTIS — a snapshot of K-pop's current generational spread, from established 4th-gen acts to newer entrants still building their footing.

What This Signals for K-Pop's Mid-Career Artist Problem

Here's the industry context worth sitting with: K-pop has a well-documented mid-career attrition problem. The market is flooded with new groups every quarter. Debut cycles generate enormous attention; sustaining that attention into year five, six, seven is where most acts struggle.

TXT debuted in 2019 under Big Hit Music (HYBE). They are now seven years into a career that has unfolded largely in the shadow of BTS — the label's flagship act — and during a period when BTS members have been cycling through mandatory military service. In that context, TXT has functioned as something more than a standalone act: they've helped maintain the label's visibility and commercial momentum during a structural gap.

Four music show wins in a single promotional cycle, culminating in a career-completing first, suggests the group isn't just surviving the mid-career dip — they may be moving past it. For HYBE as a publicly traded company, that matters beyond sentiment.

The Fan Experience as Cultural Infrastructure

For MOA — TXT's global fandom — this win is framed as a collective achievement. Fan communities had tracked the Music Core gap for years, coordinating streaming, voting, and album purchases toward exactly this kind of moment. When it arrived, the reaction wasn't just celebration; it was documentation. Clips, threads, timelines — the infrastructure of shared memory.

This is K-pop functioning as participatory culture, not passive consumption. The trophy is almost secondary to the process of pursuing it together. That dynamic is what keeps international fans engaged across time zones and language barriers, and it's what distinguishes K-pop's fan economy from most Western pop equivalents.

This content is AI-generated based on source articles. While we strive for accuracy, errors may occur. We recommend verifying with the original source.

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