Korean Disaster Film 'The Great Flood' Hits #1 on Netflix, But Divides Audiences Worldwide
Starring Kim Da Mi and Park Hae Soo, the Korean disaster film 'The Great Flood' has reached #1 on Netflix's global charts. However, its popular success is met with extremely mixed reviews from critics and audiences worldwide.
South Korea's new disaster film, The Great Flood, has surged to the top of Netflix's global charts just days after its release. The movie, starring Kim Da Mi and Park Seo Joon, debuted on December 19 and follows the harrowing survival story of residents trapped in a flooded apartment complex. While its ranking signals another major win for Korean content, the film itself has drawn intensely mixed reactions from critics and viewers alike.
A Swift Rise to the Top
According to Netflix data, The Great Flood quickly claimed the #1 spot in the platform's global film category, surpassing popular holiday titles like 'The Grinch' and the anticipated 'Knives Out' sequel, 'Wake Up Dead Man'. Its success demonstrates the powerful global reach of Korean storytelling, proving its appeal can extend well beyond the more common K-drama or action genres that international audiences have come to love.
"I Feel Baited": The Debate Over Audience Expectations
Despite its chart-topping performance, the film's reception has been lukewarm. On Rotten Tomatoes, it holds a 60% score based on ten critic reviews. While some praised the suspenseful atmosphere and strong performances, others found the plot predictable and its execution uneven.
Audience reactions, particularly on the popular Korean online forum TheQoo, mirror this division. Some viewers felt misled by the title, with one commenting, "I expected a disaster movie and feel like I got baited, lol." Others, however, found it enjoyable, saying, "It was fun," and "Definitely worth watching." This split suggests a disconnect between what the film's marketing implied and the story it ultimately delivered, sparking a debate over its genre identity.
Hitting number one on Netflix is no longer just a measure of success; it's the start of a global trial by fire. 'The Great Flood' illustrates a new paradox for Korean content: massive initial viewership, driven by the 'K-content' brand, can lead to a backlash if a film subverts genre expectations. This signals a maturing global audience that is moving beyond novelty and demanding substance, posing a fresh creative challenge for the entire industry.
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