aespa's Ningning Faces Instagram Hate Storm Over Reaction to BLACKPINK Jennie's Performance
aespa's Ningning is being targeted by online harassment after netizens criticized her 'disrespectful' reaction to BLACKPINK Jennie's MMA performance, despite reports she was seriously ill that day.
The fallout from BLACKPINK Jennie’s Melon Music Awards (MMA) performance continues, with aespa’s Ningning becoming the latest target of a severe online harassment campaign. Her personal Instagram account has been flooded with malicious comments from Korean netizens criticizing her supposedly “disrespectful” reaction during Jennie’s solo stage.
The controversy ignited after multiple idols were observed remaining still during Jennie’s set, which included her solo hits “Seoul City,” “Zen,” and “Like Jennie.” According to critics, this was a stark contrast to the same idols who stood up and danced during performances by G-Dragon and EXO. The backlash initially focused on aespa's Giselle for her posture, but has since shifted aggressively towards Ningning.
On her personal Instagram, Ningning is facing a torrent of hateful comments. Netizens are labeling the star “jealous,” posting overwhelmingly negative remarks about her visuals, and accusing her of attempting to copy the BLACKPINK member. In response, fans are organizing to mass-post positive comments, hoping to drown out the negativity and support the artist.
However, a crucial piece of context has emerged in Ningning’s defense. Sources report that the aespa member was suffering from a severe cold and had received hospital treatment just hours before attending the MMA. Her illness was serious enough that she missed the event's red carpet and was absent for a large portion of the show, where only three aespa members were present to accept multiple awards.
PRISM Insight: This incident is a stark example of K-Pop's hyper-scrutinized 'reaction culture,' where idols are under constant surveillance. Every micro-expression is captured, decontextualized, and often weaponized in fan wars. It highlights a dangerous trend where a few seconds of camera time can fuel toxic cyberbullying campaigns, overshadowing an artist's performance and well-being.
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